From: owner-luckytown-digest@luckytown.org (LuckyTown Digest) To: luckytown-digest@luckytown.org Subject: LuckyTown Digest V9 #22 Reply-To: luckytown@luckytown.org Sender: owner-luckytown-digest@luckytown.org Errors-To: owner-luckytown-digest@luckytown.org Precedence: bulk LuckyTown Digest Saturday, June 22 2002 Volume 09 : Number 022 NOTE: Sale/trade posts should be emailed to luckytown-ads, *NOT* to luckytown. That includes tix wanted/tix grovels, post them to luckytown-ads, please. Contents: The Rising song available on net Monday ["Kevin Kinder" ] "The Rising" leak, limited edition album version ["Kevin Kinder" ] 'The Rising' Chords and Tab [Antti M Kauppinen ] "Sad Eyes" mystery resolved [Dave Marsh ] RE: "Bruce" on Kroger Muzak / Sad Eyes [Bbyfshmth@aol.com] Dylan a hippie? [mendez@comcast.net] Sad Eyes ["Cristiano, Nick" ] Re:Bruce and the Beatles [CCBooberry@aol.com] Re:Setlist for Tour ["Craig Hemmens" ] Mr Deeds ["Roger Harness" ] BEHIND THE SCENES - THE BEATLES INFLUENCE ["Rich Kortz(VF)" ] Will the real "Sad Eyes" stand up, and a tasty platter 4 your player [Om] ---------------------------------------------------------------------- Date: Fri, 21 Jun 2002 23:44:27 -0500 From: "Kevin Kinder" Subject: The Rising song available on net Monday From www.brucespringsteen.net : AOL MUSIC TO HOST THE EXCLUSIVE GLOBAL PREMIERE OF FOUR NEW SONGS FROM BRUCE SPRINGSTEEN'S THE RISING All-New Studio Recordings from Bruce Springsteen and the E Street Band premiere on AOL Music First Listen NEW YORK - June 21, 2002 - America Online, Inc., the world's leading interactive services company, and Columbia Records announced today that four new songs from Bruce Springsteen's upcoming album, The Rising, set for worldwide release on July 30, 2002, will premiere exclusively on AOL Music. The first song "The Rising" will debut on Monday, June 24 at AOL Keyword: First Listen and will be offered exclusively for 48 hours. The remaining three songs - "Lonesome Day," "Into the Fire" and "Mary's Place" - will premiere on July 8, 15 and 22, respectively. "Bruce Springsteen is one of the most successful performers of all time, and we are thrilled to play such an integral role in the release of this eagerly anticipated record," said Kevin Conroy, Senior Vice President and General Manager, AOL Music. "AOL Music has established itself as the first place where music fans can hear songs from today's top artists before anywhere else, and we're very pleased to offer these significant recordings to our members." In addition to AOL Keyword: First Listen, the Bruce Springsteen songs will be available on the Web at Netscape Music (music.netscape.com) and across AOL's international properties. First Listen is a popular new feature that gives AOL members and Web music fans the chance to hear new singles on demand, in their entirety, before they can be heard anywhere else. Fans can access First Listen song debut's on AOL and the AOL High Speed Broadband service at AOL Keyword: First Listen and on AOL's Web Properties including Netscape, AOL(r) Instant Messenger (tm) AIM Today and CompuServe. ------------------------------ Date: Fri, 21 Jun 2002 14:53:31 -0400 From: jp Subject: Bruce to do Today Show July 30 LOS ANGELES (Zap2it.com) - Bruce Springsteen will make a rare TV appearance in late July when he performs live on NBC's "Today." To accommodate the music legend, the morning show will move its entire operation to Asbury Park, N.J., where Springsteen launched his career, for the broadcast on July 30. Springsteen's appearance coincides with the release of his first studio album with the E Street Band since 1984. The broadcast will mark the first time "Today" has moved to a location away from its New York studio specifically for a concert performance, according to the New York Daily News. Springsteen will likely play several songs and talk with co-hosts Katie Couric and Matt Lauer. "Today" has a well-established concert series, with thousands regularly showing up to see artists perform at Rockefeller Plaza. The show's producers have asked Springsteen to appear several times, but he's refused until now. Springsteen rarely does live TV appearances. He took part in the post-Sept. 11 telethon "America: A Tribute to Heroes" last fall, and several years before that played solo on "Saturday Night Live." http://tv.zap2it.com/news/tvnewsdaily.html?26566 - -- jp AOL IM "Plunkman99" ICQ # 7157610 Summer's here and the time is right for racing in the street. ------------------------------ Date: Fri, 21 Jun 2002 23:38:44 -0500 From: "Kevin Kinder" Subject: "The Rising" leak, limited edition album version Saw this on launch.com: Springsteen's 'Rising' Leaked In New York Fri Jun 21, 8:57 PM ET (6/21/02, 6 p.m. ET) -- New Yorkers tuned in to top 40 station WPLJ on Friday morning (June 21) got a preview of the upcoming Bruce Springsteen album, The Rising, when the title track was debuted at 8:15 a.m. ET. Springsteen's label, Columbia Records, immediately served the station with a cease-and-desist order. According to the station, listener response to the song was just as immediate, with a flood of positive phone calls. DJ Scott Shannon shouted over the air: " Bruce Springsteen, if you're listening, welcome back!" Springsteen and the E Street Band tour rumors continue, with August 9 now circulating as the start of a North American jaunt, followed by European dates continuing through mid-December. In the works for a potential fall release is another Springsteen tribute album, which would benefit the Kristin Ann Carr Fund and the Parkinsons Disease Foundation. Though artists and songs have not been announced, contributions may possibly come from Springsteen pal Joe Grushecky, Dan Bern, Elliot Murphy, and Matthew Ryan. Springsteen's official website, brucespringsteen.net, has posted details on a special limited-edition version of The Rising, which will include a 40-page full-color booklet with photos and handwritten lyrics by Springsteen. - -- Darryl Morden, Los Angeles ------------------------------ Date: Fri, 21 Jun 2002 14:54:07 EDT From: Newman541@aol.com Subject: Rising on the Radio - 6/21/02 This morning (6/21/02) on WPLJ Radio (95.5 here in New York). They announced a surprise for Bruce fans. First they played Tenth Avenue Freeze out. After a short tease, they played the "World Premiere" of The Rising. It rocked. The DJ's carried on about it and were moved so much that they immediately played it a second time. There were numerous requests for a third but they claimed that lawyers put a stop to it. It was great to hear New Bruce on the Radio. It put me in the mood, so heres my grovel: I need tickets for 1 or more of - Boston, Providence, Hartford, New Haven, Albany, Long Island, MSG, Jersey, Philly and DC. Of course if Bruce wants to visit me in My Hometown, that's cool too. Pumped and ready to go. Tour on !!! Rob ------------------------------ Date: Fri, 21 Jun 2002 11:22:06 -0400 From: "Sullivan, Ann" Subject: The Rising on NYC radio WPLJ 95.5FM in NYC played "The Rising" twice this morning. They said the single was being released on Tuesday and something about AOL users getting access on Monday. Not sure what that was about. As for the song. It almost sounds like it could be the answer to "City of Ruins". The reaction to being asked to C'mon and Rise UP. It's a very "produced" song but not in a bad way IMO. Beautiful use of strings and I'd say there is more than one female backup singer. There's also a brief guitar solo but I'm not sure if it was Bruce or Birthday boy Neil. No sax that I recall but a lovely use of Roy's talents. Classic Bruce. Starts slow then builds up in intensity and by the end you are lost in it. And its a longish song so you don't sit there at the end wishing he had kept going for another minute. I've never wanted a summer to go by quickly before but July 30th can't come quick enough for this Jersey girl. - - Ann **************************************************************************** Our network may monitor outgoing and incoming e-mail messages for security and customer service purposes, but this e-mail is confidential. Please notify the sender immediately if you receive it in error, and then delete it. **************************************************************************** ------------------------------ Date: Sat, 22 Jun 2002 01:45:44 +0300 (EET DST) From: Antti M Kauppinen Subject: 'The Rising' Chords and Tab The Rising by Bruce Springsteen as heard by Antti Kauppinen (amkauppi@spam_hell_no_remove_this_hotmail.com), June 21st 2002 
The chords seem to sound best as follows:

D/A   A
x     x
3     2
2     2
0     2
0     0
x     x

The background synth/string figure is

- ----------------
- ----------------
2---2-4-2---2-4- etc.
- --2-------2-----
- ----------------
- ----------------

(each "-" represents a sixteenth)

D/A                  A
Can't see nothin' in front of me
D/A                      A
Can't see nothin' coming up behind
D/A                        A
I make my way through this darkness
D/A                           A
I can't feel nothing but this chain that binds me
D/A               A
Lost track of how far I've gone
D/A                    A
How far I've gone, how high I've climbed
D/A                  A
On my back's a sixty pound stone
D/A                   A
On my shoulder a half mile of line

D/A                A
Come on up for the rising
D/A                  A
Come on up, lay your hands in mine
D/A                A
Come on up for the rising
D/A                A
Come on up for the rising tonight

D                   A
Left the house this morning
D             A
Bells ringing filled the air
D                       A
Wearin' the cross of my calling
D                        A
On wheels of fire I come rollin' down here

D                  A
Come on up for the rising
D                    A
Come on up, lay your hands in mine
D                  A
Come on up for the rising
D                  A
Come on up for the rising tonight

(4x)
E      A            D
Li,li, li,li,li,li, li,li,li

Guitar solo (not actual fingering, but the simplest way to play the
melody):

F#m              D                A                E
                                                           h p h
- ----------------I--------7-9-7---I----------------I7-------79797---I
7---------------I--------------10I7---------------I----------------I
- ----------------I----------------I----9---------9-I----------------I
- ----------------I----------------I----------------I----------------I
- ----------------I----------------I----------------I----------------I
- ----------------I----------------I----------------I----------------I

F#m              D                A                E
- ----------------I--------7-9-7---I--------------9-I7---------------I
10--7-----------I--------------10I7---------------I----------------I
- ----------------I----------------I----9-----------I----------------I
- ----------------I----------------I----------------I----------------I
- ----------------I----------------I----------------I----------------I
- ----------------I----------------I----------------I----------------I

E                           F#m
There's spirits above and behind me
D                      A       E
Faces gone black, eyes burnin' bright
E                        F#m
May their precious blood bind me
         D                   A     E
Lord, as I stand before your fiery light

(4x)
E      A            D
Li,li, li,li,li,li, li,li,li

Guitar doubles the vocal:

E       A        D

7---7---7-9-7---I----------------I
- --------------10I7-------7-10----I
- ----------------I----9-----------I
- ----------------I----------------I
- ----------------I----------------I
- ----------------I----------------I

(the rest of the verses and chorus as previously)

I see you Mary in the garden
In the garden of a thousand sighs
There's holy pictures of our children
Dancin' in a sky filled with light
May I feel your arms around me
May I feel your blood mix with mine
A dream of life comes to me
Like a catfish dancin' on the end of my line

Sky of blackness and sorrow ( a dream of life)
Sky of love, sky of tears (a dream of life)
Sky of glory and sadness ( a dream of life)
Sky of mercy, sky of fear ( a dream of life)
Sky of memory and shadow ( a dream of life)
Your burnin' wind fills my arms tonight
Sky of longing and emptiness (a dream of life)
Sky of fullness, sky of blessed life

Come on up for the rising
Come on up, lay your hands in mine
Come on up for the rising
Come on up for the rising tonight

Li,li, li,li,li,li, li,li,li
This file can also be found at http://www.helsinki.fi/~amkauppi/rising.htm Antti ------------------------------ Date: Fri, 21 Jun 2002 06:15:56 -0400 From: Dave Marsh Subject: "Sad Eyes" mystery resolved Trisha Yearwood did it. Last time I heard her, she sounded like a woman and nothing at all like Bruce or Enrique Iglesias. I expect that's what somebody heard. In future, those mystified by such things might take a look at allmusic.com, and search under "Songs." I use this site half a dozen times a day and the data base is extremely good, extremely reliable, there are links to the performing artist, album data, and sometimes links to CDNow. ------------------------------ Date: Fri, 21 Jun 2002 08:20:50 EDT From: Bbyfshmth@aol.com Subject: RE: "Bruce" on Kroger Muzak / Sad Eyes > The perfomer was probably Enrique Iglesias the son of Julio Iglesias. > Anyone else covered that song? Others who have recorded "Sad Eyes": - - Neal Coty - - Countdown Singers - - William Jansen - - Junior Kirkland - - El McMeen - - Elliott Murphy & Iain Matthews - - session musicians - - Andre Tigo - - Trisha Yearwood For a complete list of Springsteen covers songs, please visit my web-site: http://nebraska_99.tripod.com/ Thanks, Kevin ------------------------------ Date: Fri, 21 Jun 2002 10:53:41 -0400 From: mendez@comcast.net Subject: Dylan a hippie? Johnny, How can you criticize others for not understanding the subject matter and then in the next sentence call Dylan a hippie. Dylan was far from a hippie. While Dylan's following and writing grew out of the same "Beat" subculture that eventually morphed into the counterculture that we associate Hippies with, Dylan has made many strong statements against Hippie ideals and the landmark events of that era. Dylan's answer to Sgt. Pepper: John Wesley Harding. Dylan's answer to the White Album: Nashville Skyline. Dylan's answer to Woodstock: Not attending (though he lived a mere 70 miles away). Dylan concerts from June 1966 through 1973: Zero (One if you count his hour at the 1968 Isle of Wight festival). Dylan is not a flower power child of the sixties, he grew up in the 50's and early 60's in a Jewish family in a small Midwestern town. He does not - and never has - shared many of the hippie's beliefs. Even this year he still felt the need to point out that when he wrote 'Masters Of War' in April of 1963 he was not writing as a pacifist. Bruce of course DID grow up during the hippie heyday yet like Dylan alos eschewed Hippie ideals. Maybe Bruce really was the "new" Dylan after all. Rise On, Jon Mendez Secaucus, NJ [text/html attachment deleted] ------------------------------ Date: Fri, 21 Jun 2002 11:31:30 -0400 From: "Cristiano, Nick" Subject: Sad Eyes "Sad Eyes" was covered, quite nicely, by country-pop singer Trisha Yearwood on her 2000 album, "Real Live Woman." She also performed the song with Chris Isaak on the June 18 episode of "The Chris Isaak Show" on Showtime. Nick Cristiano ------------------------------ Date: Fri, 21 Jun 2002 12:09:53 EDT From: CCBooberry@aol.com Subject: Re:Bruce and the Beatles In a message dated 6/20/02 10:46:52 PM Pacific Daylight Time, owner-luckytown-digest@luckytown.org writes: << Subject: Bruce and the Beatles Arlen Schumer, Bruce and the Beatles - I always thought I heard a reference to the Beatles 'No Reply' in the sax solo of 'Loose Ends', and assumed the reference was deliberate since the songs cover a similar theme... Geraint >> That's right! I always thought that of the Loose Ends/No Reply connection too--right from the get-go, first time I heard the sax--echoes the Beatles line "I tried to telephone..they said you were not home...etc." The two most likely possibilities to explain this are: 1. There are only so many notes on the scale, and you're bound to hit on the same 5-note progression occasionally, almost by chance 2. A Beatles influence, conscious or not Here's the question: Why even the debate about "Beatles Influence" (as if that's a bad thing)? Let's get it straight: The Beatles influenced pop music/culture like the weather influences your decision to go to the beach or stay inside. You never think about the weather, you can't see the weather, but you can see what it does. From the ground, you can't get a clear perspective on the weather. So it is with the Beatles. So it is... There's always a great tendency among the cool and chic to downplay the obvious. There's no shame in the obvious. As for Bruce, he's nothing if not a great observer--lyrically, musically. Look at the song titles: How many of them are a variation of (or exactly the same as) some old song he knows and likes? Examples: Walk Like a Man, Two Faces, Ain't Got You--and that's just on one album! No shame there--kind of fun, actually. So it stands to reason there's similar cherry picking gong on with musical themes. Everyone does it--that's the nature of music, you build on the things you know... So back to the Beatles...how about this for a thematic coupling: Two Faces/I'm a Loser Did he do it on purpose? Doubt it. Fun to speculate? Sure. Looking forward to the new album, whatever it sounds like... John Rickenbach Atascadero, CA ------------------------------ Date: Fri, 21 Jun 2002 09:25:10 -0600 From: "Craig Hemmens" Subject: Re:Setlist for Tour OK, since folks have started chiming in with what they want to hear/think Bruce should play on the upcoming tour, here's my two cents: He should play whatever the hell he wants to, in whatever order he chooses. I'm just glad he's touring again. His setlist is obviously carefully thought out, and there is a point to it--it's not just a collection of hits. I consider the presentation part of the artistic statement. So bithcing about the inclusion or exclusion of a particular song misses the point. Craig Craig Hemmens, J.D., Ph.D. Department of Criminal Justice Administration Boise State University (208) 426-3251 ------------------------------ Date: Fri, 21 Jun 2002 00:39:57 -0700 From: "Roger Harness" Subject: Mr Deeds Hey all, A small potato in the big pre-dinner of a new album and tour. Just watched a pre-screening of "Mr. Deeds" with Adam Sandler a few hours ago, and there was a nice little mention of our hero. Wont mention the context, as it could be construed as a 'spoiler'. Will just say that Wynonna Ryder is *so* adorable. ps, in you're into goofy movies at all, Mr. Deeds is hilarious! ~show a little faith~ Roger Harness ------------------------------ Date: Fri, 21 Jun 2002 16:58:02 -0400 From: "Rich Kortz(VF)" Subject: BEHIND THE SCENES - THE BEATLES INFLUENCE BEHIND THE SCENES - THE BEATLES INFLUENCE By Rich Kortz - ------------------------------------------------------------ Max: But, Boss... couldn't I just do something from my own CD instead? Bruce: Naw... naw... we ain't doin' nuthin' from yer CD, Max. We do that stuff for them Christmas shows... but we ain't doin' it now. Max: Awww, Boss... Bruce: Want ya ta sing 'Act Naturally.' How many times I gotta say that? Want ya ta sing 'Act Naturally.' Got a whole Beatles influence thing goin' here. Don't ya feel the Beatles influence happenin' here? Max: Welllll..... Bruce (glaring at Max): Ya DO feel it... DON'T ya, Max? Max: Uhhh, yeah, Boss... sure... sure... whatever... whatever... I guess you know what you're doing. Bruce: Yeah... yeah... I guess I do... I guess I do......... and bob that head a little, huh? Max: Bob my head, Boss? Bruce: Yeah... yeah... bob that head... in some fashion. ------------------------------ Date: Fri, 21 Jun 2002 09:41:25 -0700 From: Chris Ryan Subject: Re: Beatles Johnny Saulovich wrote: > To Chris and Arlen ... if you're going to argue an opinion, it's much > more effective when you have a grasp of the subject matter. > > Or, as old hippie Bob Dylan put it, "Don't criticize what you can't > understand." First, I have no idea why you thought such a condescending response was necessary. Your presumption of my (our) ignorance more than a little obnoxious! > Frankly, Uncle Tupelo and RATM didn't exactly explode the limits of > popular music, when compared to the Fab Four. Perhaps Nirvana would've > made a better example. It depends on whether your (Bruce's) goal is to "explode the limits of popular music"--I don't think it is--or to make a great record. Nirvana was great, burned bright and was gone. They certainly "exploded the limits," as you say, but as for lasting influence I'm not yet convinced. Perhaps generally, in bringing back at least an interest in great songwriting and melody to rock music. But if you turn on the radio, it seems to me there are more bands of the tiring "I can't believe it's not Pearl Jam!" variety than anything directly from the sound, at least, of Nirvana. More current bands seem to sound like RATM than Nirvana to these ears (a totally unscientific impression). > Sgt. Pepper's Lonely Hearts Club Band was a *great album* in terms of > cultural impact and influence, not necessarily the music. Trust me, we > won't be hearing a "a new 'Sgt. Pepper.'" It should be pretty obvious to anyone who's taken the time to listen that Sgt. Pepper wasn't the Beatles' best. I don't think Springsteen, or anyone else probably, could come near the impact and influence of that album. Paul McElligott wrote: > It was kind of funny that, right after Robert Curtis' hilarious (and > very true) rant about about the chronic complainers here on LTD, here > comes a perfect example of what he's talking about. I missed that thread but, over the years, it has seemed to me that anything that could be perceived as even slightly critical of Bruce tends to get flamed on this list, or at least identified as "complaining." > So if you like Rage Against the Machine more than the Beatles, by all > means listen to them. I wouldn't be surprised to hear Bruce likes RATM > too (although probably not over the Beatles). I did not say I like RATM more than the Beatles! I definitely listen to them more often. I think there's a difference between understanding and acknowledging the history and the masters of the music, and getting stuck in "classic rock mode." Chris ------------------------------ Date: Fri, 21 Jun 2002 21:48:32 EDT From: OmanIV@aol.com Subject: Will the real "Sad Eyes" stand up, and a tasty platter 4 your player In a message dated 6/21/02 12:47:22 AM, Johnny/Arlen writes: << the falsetto work Bruce issued in recent years, like "Sad Eyes"? >> Hi, Mr. Stupid here :-) - somewhere in the mists of time in following and listening to Bruce I lost track of - what I'VE always called "Sad Eyes", the evolution out of the end of "Backstreets" where he starts screaming "And baby you lied......." as most often heard on 2 studio versions in the "Lost Masters" series, and the great live version in the Tempe set that came in the great little wooden box which I don't see at the moment and my befuddled brain, shining brightly, quite insane has forgotten the title of, and mebbe one on the Spectrum set..... What is that song called, in the official canon of Bruce lore? And why didn't he put that in Tracks instead of the imitation Chris Isaacs (sp?) song. (and why don't I know that...) Jon Greer writes: "Squat down next to my voluminous Bruce collection to find something to listen to." Somehow I fear this (or these) will start a torrent of "MY favorite Bruce sides" but I gotta add my 2¢. Lately I've been listening to "In the Midnight Hour" which, I understand is "roughly equivalent to" "Nassau Nights" on Crystal Cat (and just "Nassau" as an LP box set I have). (Nassau Colliseum, New Years Eve + additions, 1980, methinks?) Especially Disc 2. There are things on there that just ain't heard nowhere else. Roy's playing on the first 3 trax, with amazing original intros to the River, and Badlands is the best I've ever heard him do. Clarence gets the bug on Sherry Darling and Hungry Heart playing like he's really possessed and adding new music to boot (pun intended) Bruce dedicates Pink Cadillac to Mrs. Potemkin and adds his whole list of accessories at the end. But I would really like to have the opportunity to play the "Because The Night" , which closes the side, someday for the sleeping multitiudes listening to Lite-FM since the concept of real passion, real people, and "anybody out there alive tonight" is so foreign to those people. Killer, killer version. I almost lost my lunch the other day at the Shop-rite as the zombie known as James Taylor excrutatingly droned "You've Got a Friend". Fortunately, my friends would never do that to me. I'd lose 'em if they did. If you don't have it, find one somewhere. It contains real magic.... (I understand the Tabby's version is a little better......) And I fear the worst for tickets. I don't presume to understand the pricing of concerts, but there are crews, the "arena" a zillion other dumb things to cover besides Bruce and the boys (are they still on "salary"?) Of course, I will reiterate here my thoughts from last tour, that if Bruce were willing to accept sponsorship from someone he might not automatically reject ("Snapple" for example, seems innocuous enuff, and is a company with a great public image. I don't know if they do that...) the rest of us trying to scrape together enuff for a buncha shows might be able to see the show and eat real food that day too. Even a clip of Bruce playing live on TV would be nice to see, like I think they did with Elton John, and he didn't do or say anything that would imply that he actually used whatever it was. Bruce and Landau have a lot of muscle to dictate the terms; they don't have to accept anything but what they want. And for my part, if Bud sponsored it, and I wanted to drink Grolsh, screw Bud. Think it THRU, Bruce, don't just make stupid snap judgements. Think of the faithful.... (OK I'd have to drink Bud inside the dump. Big deal) Whatever the price, it will require weeks of obsession and planning, listening here, logging on there, calling someplace else, and setting aside life savings in case Pittsburg and Philly and East Podunk go on sale all together. Whatever happened to going down to the Filmore about an hour before tickets went on sale, and getting BB 101/102 for $6.50 each...... (That's second row to those who never were lucky enuff to go. For AA, you needed to be there about 2 hours before, and sometimes you had monitors on the stage blocking your view.) Anybody but Bruce, I might not bother. Fortunately, there are people like England's legendary Roy Wood, (Move, ELO, Wizzards) who played NY for the first time in 27 whom I got to see with not too many hassles for $25/night, and his Army (the current band) had about 10 or 12 people.. He was great!!! Johnno in NJ (and on "Blackberry Way") ------------------------------ End of LuckyTown Digest V9 #22 ****************************** ********************************************************************* ** LuckyTown WWW URL ** The LuckyTown FAQ, back issues, web-based subscription/unsubscription, and many other things can be found on the LuckyTown WWW Page: http://www.luckytown.org ** LuckyTown mailing list addresses ** You can send email to go into the next LuckyTown Digest to: luckytown@luckytown.org You can send email to go into the next LuckyTown-Ads Digest to: luckytown-ads@luckytown.org Any questions for the list admin should be emailed to: owner-luckytown@luckytown.org To unsubscribe, send email to majordomo@luckytown.org with message body: unsubscribe luckytown-digest To get further information on how to subscribe/unsubscribe/change your subscription address, as well as the other available commands, send email to majordomo@luckytown.org with message body: help ********************************************************************* The contents of this digest are not necessarily approved by the list admin.